
Journaling
Unlike journals which are an honest
dialogue with oneself, blogs are a kind of multi-logue with hundreds,
possibly thousands of self-selected strangers.

My current obsession is the
keeping of a diary or a journal. Although I have done this for decades it
seems to have become rather trendy now. The Americans of course have
invented a word for it – ‘journaling’. This sits alongside ‘scrapbooking’
(you can guess what that means) as a productive spare time activity.
Predictably the trendiness is reflected in the range of merchandise –
exquisite notebooks and scrapbooks, specialised computer programmes, are
now out there capitalising on this trend
Keeping a diary is no new thing. In my first year at college on my
corridor at Alnwick Castle was a girl called Yvonne, was an assiduous
diarist. As the years went by she would sit cross legged on her bed and
say ‘Guess what we were doing a year ago today?’ and proceed to read out
extracts from her diary.
I used to be stunned at the amount of forgotten detail that Yvonne raised
and full of admiration for her methodical approach in writing every single
day in her diary.
I was rather older and a lot wiser when I started keeping journals, a
habit that sits well alongside my day job of writing a novel each year. At
last count I have 33 of these notebooks which can be a rich mine of
inspiration and anecdotes that often appear later in pure fictional form.
Even if you are not a writer by trade, keeping a journal or diary has all
kinds of virtue.
On the safety of your page it puts your sometimes chaotic thoughts in
order. It channels your emotions so they don’t splash out and do harm to
others, or grind inwards and do harm to yourself. It articulates your
unique view of the world.(‘How do I know what I mean till I see what I
say?) It allows you to reflect from a safe distance on what you did last
week, last month, even last year. It is no accident that psychotherapists
advocate the use of journals to help with self reflection,
For a professional writer a regular journal is all this and more.
Unconsciously you learn to observe details of character, conversation,
landscape and event with forensic accuracy. The compass of your language
develops as you challenge it to steer deeper into the human experience. A
writer’s journal also reaches out to reflect others’ experiences and
incorporate them into their own life, the better to reflect character and
motive in fiction.
I extended this habit even further recently when I was writing ‘Family
Ties’ . The core of this novel is a journal written by 13 year old Rosa in
1954. Although extracts from her diary are scattered through the novel as
a kind of chorus, I wrote the diary it one lump last year, having put
myself firmly into 13 year-old Rosa’s’s shoes. These shoes would have fit
me very well when I was 13 and this was very much the diary I would have
written at that time of my life.
This brings us to the issue of audience. Who do we write out journals for?
Ideally we write our journals only for ourselves. In later years they may
interest our families.
The recently published, rather wonderful ’Sand In My Shoes’ by Joan Rice
(mother or lyricist Time Rice) is a case in point. About her girlhood
wartime experiences in the WAAF in World War 2 as a young woman, the
diaries were hidden away for more than fifty years before she typed them
up and they were published. Poignantly in the introduction her middle aged
son Jonathan says, ‘In many ways the person revealed in this diary is a
stranger…If I didn’t know it was mother who had written it, I would never
have guessed.’ It is truly a wise child who knows his own mother.
Of course journals can seem like dynamite.The poet Ted Hughes was famously
criticised for destroying his wife Sylvis Plath’s last journal,completed
just before her suicide In his Foreword to Plath's "Journals" in 1982. "I
destroyed [it] because I did not want her children to have read it (in
those days I regarded forgetfulness as an essential part of survival)":
Plath and other iconic diarists such as Virginia Woolf and the American
May Sarton clearly wrote to document their lives, knowing that others
would want to read them. May Sarton published her journals in her lifetime
and had a diaspora of fans round the world who corresponded with her
regularly on the subject of her (not so) private reflections on life.
Of course these days you don’t have to be an accomplished or iconic writer
to generate this level of response. Some would say that journaling has now
been democratised with advent of blogging - for the unititiated, blogs are
online interactive personal journals published on the internet.
The communities of bloggers range from stargazing to sulky racing, from
foot-fetiche to flower arranging, from war-gaming to wool-gathering.
Clicking onto a blog is not so much reading somebody’s journal as
eavesdropping on an intimate revelatory conversation with twelve
participants. Far from the straining honesty of a personal written
journal, in blogs self-invention, a playful disguise, and a roguish tone
of voice are the order of the day. I cam across a blog called Thus Spake
Zuzka where the writer asserts that Zuzka is the kick-ass alter ego of
Suzanne. Hmm.
Unlike journals which are an honest dialogue with oneself, blogs are a
kind of multi-logue with hundreds, possibly thousands of self-selected
strangers. They are a projected fantasy fiction of oneself in the safety
of cyberspace. On the plus side they can be an inspired form of back door
self-publishing that can lead to more earth-bound success in terms of
books, like Belle de Jour, the diary of a (so called) London call-girl.
And I know quite sane people who think blogging is fun.
Me, I like my hardback notebook, my fat fountain pen that fills from a
bottle, and my own, personal, private thoughts.
©
Wendy Robertson, March 2003