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Wendy Robertson

Always a storyteller, after relishing and surviving academic life Wendy Robertson became a full time writer twenty years ago. She has written twenty novels, both historical and contemporary, many short stories and continues to write occasional articles on issues close to her heart.

At present she is writer in residence at HMP Low Newton, encouraging a wide range of women to raise their self esteem and realise their potential through original writing.

She lives among the rolling hills of South Durham, in a Victorian house that has played a role in more than one of her novels. She also spends time in North London, where she found the unique inspiration for The Lavender House.

 

A short and selective biography, by her daughter, Debora

 
As the family legend goes, my mother was conceived during the Blitz on Coventry, which would explain a lot. I love the idea of my grandmother, stern and magnificent in equal measure, casting aside the strictures of wartime for a little folie à deux. "That'll show the Gerries," I can almost hear her saying, as she indulged in a little trademark family hedonism, ignoring the misery of rationing, darned nylons and blackout curtains.`

  And so my mother was born in the middle of the Second World War, moving from Coventry to Lancaster then Durham, gathering another sibling to make four, and losing her precious, gentle father to asthma, all by the time she was eight. She always felt like a misfit, skipping school to devour books from the library or spend afternoons lying on the sofa and listening to the radio.

The great joy, even in the most difficult times, was story - telling them, reading them, sharing them. My grandmother, Barbara, would often tell tales of that other difficult redhead, Elizabeth I, or weave mansion-and-fur-coat fantasies about what we could spend our money on 'when Ernie comes up,' talking about her Premium Bonds.

But I have always seen my mother as a practical fantasist, a hard-working sybarite. She may have gazed dreamily to the future, but she worked her way through college by selling programmes at the local dog track and by spending summer holidays working in a factory. She may have spent hours weaving intricate tapestries of character and plot in her head, but she was often doing it as she commuted several hours a day to her job training teachers, or as she ran our busy house which was always full of the teenage friends of my brother Grahame and I. That's why, to this day, whenever we're in a room together and someone says, 'I'd love to write a book, if only I had the time,' we have to slip away and giggle behind our hands.

And that's another thing. The woman has no sense of humour. I mean it.  None. All acknowledged forms of comedy leave her cold: satire, situation, slapstick, it's all the same to her. She thinks Quantanimo Bay is too good for Frank Skinner.  It is legend in our family. My poor Dad, Bryan, will be heartily laughing away at The Office, The Royle Family, or You've Been Framed  (which, incidentally, she calls 'that falling down programme'), and my mother will look on like a slightly bilious Queen Victoria.

It is a closely guarded secret, however, that the most juvenile of word plays will make her collapse with laughter, a little double entendre will have the tears flowing. We're often in my kitchen or hers, me standing and stirring, she sitting and sipping, and Bryan or my husband Séan will discover us, helpless and incomprehensible with laughter, mascara running down our faces.

One of the loveliest things we do together now is to take trips: Barcelona, Cork, Cephalonia, Brittany, we are the poster girls for EasyJet. I am very aware, though, that while we may share a baggage allowance (she takes three things, I take fifty-three), we have very different holidays. I have a holiday of itineraries, reading lists, must-see exhibitions and must-visit restaurants, and she has the holiday in her head. I am looking from the hotel balcony down the Ramblas and thinking what a wonderfully vibrant and exciting city Barcelona is; she is gazing at the rooftops of the cafe opposite and seeing George Orwell hiding from a sniper, hearing Franco's tanks rumbling in the distance. I'm visiting a different country, she's visiting a different century.

For someone who lives so much in her head, she manages surprisingly well in the real world. As well as writing a book a year, she's addicted to teaching. Can there be a school, prison or church hall left where she hasn't shared her love of writing, her love of books? Where, over instant coffee and Garibaldis, she hasn't made a timid housewife or retired colonel or prisoner on remand feel that those scraps of writing they've hidden in the back of the cupboard for years could really be a novel if they just worked hard enough? I've been to talks she's given. She is the Billy Graham of the creative writing circuit.

I hope you enjoy Wendy's website, and that you enjoy her books. She certainly loved writing them. And we all hope she keeps on writing them, as the thought of her fully present in this century is a rather worrying one.

All good wishes,

Debora


© Debora Robertson 2003